Utah Opera Presents Verdi's Falstaff

Utah Opera Presents

Verdi's "Falstaff"

Utah Opera will present a classic comedy, Verdi’s “Falstaff,” at the Capitol Theatre on May 16, 18 and 20 at 7:30 p.m. and May 22 at 2:00 p.m.

Verdi’s opera follows Falstaff, a saucy womanizer who, seeking to better his own fortunes, attempts to woo two wealthy matrons, and gets his comeuppance at the hands of those he first sought to trick. Verdi's voice finds its most brilliant expression in this delightful comedy.

The character Falstaff made his first appearance in Shakespeare’s “Henry IV” history plays, and quickly became a favorite of Queen Elizabeth I. Verdi’s “Falstaff” employs the memorable character to incite a comedic plot taken from another of the Bard’s classic plays, “The Merry Wives of Windsor.”

Cast members include Steven Condy as Falstaff, Cynthia Clayton as Alice, Michael Chioldi as Ford and Aaron Blake as Fenton, Directed by Christopher Mattaliano. The Utah Symphony will accompany each performance, conducted by Robert Tweten. The opera will be sung in Italian with English supertitles.

With two twenty-minute intermissions, approximate final curtain time will be 10:15 p.m. for evening performances and 4:45 p.m. for the matinee.

Utah Opera Principal Coach Carol Anderson will offer an Opera Prelude Lecture, free of charge, in the orchestra seating level of Capitol Theatre one hour before curtain of each performance.

Utah Opera Artistic Director Christopher McBeth will hold a Q&A session, free of charge, immediately following each performance in the Founders room on the mezzanine level at Capitol Theatre (50 West 200 South).

Tickets for the performances range from $15 to $85 and can be purchased by calling (801) 355-ARTS (2787), in person at the Abravanel Hall ticket office or by visiting www.usuo.org.

SYNOPSIS:

ACT I - Sir John Falstaff, the portly rascal of Windsor, sits in the Garter Inn with his “bad companions” Bardolfo and Pistola. When Dr. Caius enters to accuse the three of abusing his home and robbing him, Falstaff dismisses the charges with mock solemnity. He then up braids his friends for being unable to pay the bill. Seeking to better his fortunes, Falstaff plans to woo wealthy matrons Alice Ford and Meg Page. He produces love letters to both, but his henchmen decide their ethics forbid them from delivering the notes. Falstaff gives them to a page boy instead and lectures his cronies on honor as he chases them from the inn. In her garden, Alice and her daughter, Nannetta, talk to Meg and Dame Quickly, soon discovering that Falstaff has sent identical letters. Outraged, they resolve to punish him, then withdraw as Ford arrives with Caius, Fenton, Bardolfo and Pistola, all warning him about Falstaff’s designs. Briefly alone, Nannetta and Fenton steal kisses until the women return, plotting to send Quickly to Falstaff to arrange a rendezvous with Alice. Next Nannetta and Fenton are interrupted by Ford, who also plans to visit Falstaff. As the women reappear, all pledge to take the fat knight down a peg or two.

ACT II - At the inn, Falstaff accepts Bardolfo and Pistola’s feigned penitence for their mutiny. Soon Quickly curtseys in to assure the knight that both Alice and Meg return his ardor. Arranging a meeting with Alice, Falstaff rewards Quickly with a pittance and then, alone, preens himself. The next visitor is Ford, disguised as “Master Brook” and pretending an unrequited passion for Alice. Employed to break down the lady’s virtue, Falstaff boasts that he already has set up a tryst and steps out to array himself. Ford, unable to believe his ears, vows to avenge his honor. Regaining his composure when Falstaff returns, he leaves arm in arm with the fat knight. In Ford’s house, Quickly tells Alice and Meg about her visit with the knight at the inn. Nannetta does not share in the fun: her father has promised her to Caius. The women reassure her before hiding, except for Alice, who sits strumming a lute as her fat suitor arrives. Recalling his salad days as a slender page, he is cut short when Quickly announces Meg’s imminent approach. Falstaff leaps behind a screen, and Meg sails in to report that Ford is on his way over in a fury. Quickly confirms this, and while Ford and his men search the house, Falstaff takes refuge amid the dirty linen in a laundry basket. Slipping behind a screen, Nannetta and Fenton attract attention with the sound of their kissing. While Meg and Quickly muffle Falstaff’s cries for air, Ford sneaks up on the screen, knocks it over and pauses briefly to berate the lovers as the chase continues upstairs. Alice orders servants to heave the basket into the Thames, and then leads her husband to the window to see Falstaff dumped into the muddy river.

ACT III - At sunset outside the inn, Falstaff bemoans his misadventure while downing a mug of warm wine. His reflections are halted by Quickly, who insists that Alice still loves him and proves it with a note appointing a midnight rendezvous in Windsor Park. Alice, Ford, Meg, Caius and Fenton sneak in as Falstaff enters the inn with Quickly, who tells him the gory tale of the Black Huntsman’s ghost, often seen in Windsor Park at midnight. Alice and the others take up the story, plotting to frighten Falstaff by dressing up as wood sprites. In moonlit Windsor Forest, Fenton sings of love and receives a monk’s costume for the masquerade; Nannetta is queen of the fairies, Meg a nymph and Quickly a witch. Everyone takes off as Falstaff lumbers in, got up as a huntsman and wearing antlers. Scarcely has he greeted Alice than Meg warns of approaching demons. As the knight cowers, Nannetta calls the forest creatures to their revels. They torment Falstaff until he begs for mercy. When the conspirators unmask, Sir John takes it like a sport. Ford betrothes Caius to the queen of the fairies (now Bardolfo in disguise) and unwittingly blesses Nannetta and Fenton. Ford too has been duped, but he can forgive as well, and Falstaff leads the company in declaring the world is but a jest.


Brought to you by:

Novelty Enamel Picture Frame
Dress Up Your Photos With Style





Photograph & Logo provided for use by Utah Opera. Copyright © Utah Opera.