Utah Opera's Season Closes with "The Barber of Seville"

Utah Opera's Season Closes with
"The Barber of Seville"

Rossini's Comic Masterpiece Opens May 11, 2013 at Capitol Theatre.

“Figaro, Figaro, Figaro!” sung by the witty and mischievous town barber, Figaro himself, is one of the most recognizable musical tunes in operatic history. Audiences have the opportunity to hear this famous music live and in its original context when Utah Opera presents Giachino Rossini’s “The Barber of Seville.”

Utah Opera performs Rossini’s comic masterpiece “The Barber of Seville” May 11, 13, 15 and 17 at 7:30 p.m. and May 19 at 2:00 p.m. at Capitol Theatre in Salt Lake City (50 West 200 South). Celena Shafer, Utah native and Metropolitan Opera performer, returns to the Utah Opera stage as the charming Rosina. Robert McPherson, another Utah Opera favorite, sings the role of the love-stricken Count Almaviva. Will Liverman, praised by The New York Times as “a mellow-voiced and charismatic baritone,” makes his Utah Opera debut as the clever Figaro.

This production is directed by Tara Faircloth and conducted by Jerry Steichen, a Utah Opera regular who is now also the Utah Symphony’s Principal Pops Conductor. The opera will be sung in Italian with English supertitles and last approximately three hours with one twenty-minute intermission.

The hilarious story and playful music from “The Barber of Seville” captivates audiences of all ages. It has been featured in many musical and cartoon parodies including the infamous Bugs Bunny animation of Rossini’s delightful overture in “Rabbit of Seville.” Woody Woodpecker also sang Figaro’s legendary aria in his own 1944 version of “The Barber of Seville.”

Additional Events
Utah Opera Principal Coach Dr. Carol Anderson will offer a free Opera Prelude Lecture one hour before curtain of each performance in the front of the orchestra seating level of Capitol Theatre (50 West 200 South).

Utah Opera Artistic Director Christopher McBeth will hold a free Q&A session immediately following each performance in the front of the orchestra seating level of Capitol Theatre (50 West 200 South).

Tickets for the performance can be purchased by calling 801-355-2787, in person at the Capitol Theatre ticket office (50 West 200 South) or by visiting www.utahopera.org.

Utah Opera presents
THE BARBER OF SEVILLE
       Composed by Giachino Antonio Rossini
       Libretto by Cesare Sterbini

Capitol Theatre
       May 11, 13, 15 and 17 at 7:00 p.m.
       May 19 at 2:00 p.m.

Sung in Italian
       English supertitle translation by Kathleen Lowe
Premiere: 1816
       Previously at Utah Opera in 1980, 1987, 2006

CAST
Rosina
       Celena Shafer
Count Almaviva
       Robert McPherson
Figaro
       Will Liverman
Don Basilio
       Ryan Speedo Green
Dottore Bartolo
       Michael Wanko
Fiorello
       Shea Owens
Berta
       Sishel Claverie
Sergeant
       Tyler Oliphant
Notary
       Gunter Radinger

SYNOPSIS
Act I
Seville. Count Almaviva comes in disguise to the house of Doctor Bartolo and serenades Rosina, whom Bartolo keeps confined to the house, beneath her balcony window. Figaro the barber, who knows all the town’s secrets and scandals, arrives. He explains to Almaviva that Rosina is Bartolo’s ward, not his daughter, and that the doctor intends to marry her. Figaro devises a plan: the count will disguise himself as a drunken soldier with orders to be quartered at Bartolo’s house so that he may gain access to the girl. Almaviva is excited and Figaro looks forward to a nice cash pay-off.

Rosina reflects on the voice that has enchanted her and resolves to use her considerable wiles to meet its owner, whom the count leads her to believe is a poor student named Lindoro. Bartolo appears with Rosina’s music master, Don Basilio. Basilio warns Bartolo that Count Almaviva, who has made known his admiration for Rosina, has been seen in Seville. Bartolo decides to marry Rosina immediately. Figaro, who has overheard the plot, warns Rosina and promises to deliver a note from her to Lindoro. Bartolo suspects that Rosina has indeed written a letter, but she outwits him at every turn. Angry at her defiance, Bartolo warns her not to trifle with him.

Almaviva arrives, creating a ruckus in his disguise as a drunken soldier, and secretly passes Rosina his own note. Bartolo is infuriated by the stranger’s behavior and noisily claims that he has an official exemption from billeting soldiers. Figaro announces that a crowd has gathered in the street, curious about the argument they hear coming from inside the house. The civil guard bursts in to arrest Almaviva but when he secretly reveals his true identity to the captain he is instantly released. Everyone except Figaro is amazed by this turn of events.

Act II
Bartolo suspects that the “soldier” was a spy planted by Almaviva. The count returns, this time disguised as Don Alonso, a music teacher and student of Don Basilio. He announces he will give Rosina her music lesson in place of Basilio, who, he says, is ill at home. “Don Alonso” tells Bartolo that he is staying at the same inn as Almaviva and has found a letter from Rosina. He offers to tell her that it was given to him by another woman, seemingly to prove that Lindoro is toying with Rosina on Almaviva’s behalf. This convinces Bartolo that “Don Alonso” is indeed a student of the scheming Basilio, and he allows him to give Rosina her music lesson. She sings an aria, and, with Bartolo dozing off, Almaviva and Rosina express their love.

Figaro arrives to give Bartolo his shave and manages to snatch the key that opens the doors to Rosina’s balcony. Suddenly Basilio shows up looking perfectly healthy. Almaviva, Rosina, and Figaro convince him with a quick bribe that he is sick with scarlet fever and must go home at once. While Bartolo gets his shave, Almaviva plots with Rosina to elope that night. But the doctor overhears them and furiously realizes he has been tricked again. Everyone disperses. Bartolo summons Basilio, telling him to bring a notary so Bartolo can marry Rosina that very night. Bartolo then shows Rosina her letter to Lindoro, as proof that he is in league with Almaviva. Heartbroken and convinced that she has been deceived, she agrees to marry Bartolo. A thunderstorm rages. Figaro and the count climb a ladder to Rosina’s balcony and let themselves in with the key. Rosina appears and confronts Lindoro, who finally reveals his true identity as Almaviva. Basilio shows up with the notary. Bribed and threatened, he agrees to be a witness to the marriage of Rosina and Almaviva. Bartolo arrives with soldiers, but it is too late. Almaviva explains to Bartolo that it is useless to protest and Bartolo accepts that he has been beaten. Figaro, Rosina, and the count celebrate their good fortune.


Capitol Theatre
50 West 200 South
Salt Lake City, UT


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