18 April 2013

SLCo Library Welcomes Bestselling Author Jon Scieszka

Jon Scieszka

SLCo Library Welcomes
Bestselling Author Jon Scieszka

Bestselling author Jon Scieszka and reading celebration at Viridian Event Center Saturday, April 27, 10:00 a.m.

Salt Lake County Library is pleased to welcome bestselling children's author Jon Scieszka to the Viridian Event Center on Saturday, April 27 at 10:00 a.m. Jon’s first book was The True Story of the 3 Little Pigs! which was initially rejected by most publishers as “too weird” and “too sophisticated.” Published by Viking in 1989, it has since sold over a million copies, been translated into ten languages and been called a “classic picture book for all ages.” It was followed by The Stinky Cheese Man and Other Fairly Stupid Tales which took the world of picture books by storm, became a bestseller and won a Caldecott Honor medal. His other books have included Math Curse, Squids Will Be Squids, the Time Warp Trio Series, the Trucktown series and many others.

Jon is also the First National Ambassador of Young People’s Literature and has founded Guys Read, a web-based literacy program for boys with a mission to help boys become self-motivated, lifelong readers. You can find more information at guysread.com. The author will speak at 10:00 a.m., followed by a book signing. Books will be available for purchase from The King’s English Bookshop.

Following Jon Scieszka's appearance will be the free Dia de los Niños celebration, when families can experience the fun of his books through hands-on activities. There will be crafts, music and storytelling to encourage children's literacy. Presented in partnership with Children's Literacy Association of Utah.

Viridian Event Center
8030 South 1825 West
West Jordan UT


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Utah Opera's Season Closes with "The Barber of Seville"

Utah Opera's Season Closes with
"The Barber of Seville"

Rossini's Comic Masterpiece Opens May 11, 2013 at Capitol Theatre.

“Figaro, Figaro, Figaro!” sung by the witty and mischievous town barber, Figaro himself, is one of the most recognizable musical tunes in operatic history. Audiences have the opportunity to hear this famous music live and in its original context when Utah Opera presents Giachino Rossini’s “The Barber of Seville.”

Utah Opera performs Rossini’s comic masterpiece “The Barber of Seville” May 11, 13, 15 and 17 at 7:30 p.m. and May 19 at 2:00 p.m. at Capitol Theatre in Salt Lake City (50 West 200 South). Celena Shafer, Utah native and Metropolitan Opera performer, returns to the Utah Opera stage as the charming Rosina. Robert McPherson, another Utah Opera favorite, sings the role of the love-stricken Count Almaviva. Will Liverman, praised by The New York Times as “a mellow-voiced and charismatic baritone,” makes his Utah Opera debut as the clever Figaro.

This production is directed by Tara Faircloth and conducted by Jerry Steichen, a Utah Opera regular who is now also the Utah Symphony’s Principal Pops Conductor. The opera will be sung in Italian with English supertitles and last approximately three hours with one twenty-minute intermission.

The hilarious story and playful music from “The Barber of Seville” captivates audiences of all ages. It has been featured in many musical and cartoon parodies including the infamous Bugs Bunny animation of Rossini’s delightful overture in “Rabbit of Seville.” Woody Woodpecker also sang Figaro’s legendary aria in his own 1944 version of “The Barber of Seville.”

Additional Events
Utah Opera Principal Coach Dr. Carol Anderson will offer a free Opera Prelude Lecture one hour before curtain of each performance in the front of the orchestra seating level of Capitol Theatre (50 West 200 South).

Utah Opera Artistic Director Christopher McBeth will hold a free Q&A session immediately following each performance in the front of the orchestra seating level of Capitol Theatre (50 West 200 South).

Tickets for the performance can be purchased by calling 801-355-2787, in person at the Capitol Theatre ticket office (50 West 200 South) or by visiting www.utahopera.org.

Utah Opera presents
THE BARBER OF SEVILLE
       Composed by Giachino Antonio Rossini
       Libretto by Cesare Sterbini

Capitol Theatre
       May 11, 13, 15 and 17 at 7:00 p.m.
       May 19 at 2:00 p.m.

Sung in Italian
       English supertitle translation by Kathleen Lowe
Premiere: 1816
       Previously at Utah Opera in 1980, 1987, 2006

CAST
Rosina
       Celena Shafer
Count Almaviva
       Robert McPherson
Figaro
       Will Liverman
Don Basilio
       Ryan Speedo Green
Dottore Bartolo
       Michael Wanko
Fiorello
       Shea Owens
Berta
       Sishel Claverie
Sergeant
       Tyler Oliphant
Notary
       Gunter Radinger

SYNOPSIS
Act I
Seville. Count Almaviva comes in disguise to the house of Doctor Bartolo and serenades Rosina, whom Bartolo keeps confined to the house, beneath her balcony window. Figaro the barber, who knows all the town’s secrets and scandals, arrives. He explains to Almaviva that Rosina is Bartolo’s ward, not his daughter, and that the doctor intends to marry her. Figaro devises a plan: the count will disguise himself as a drunken soldier with orders to be quartered at Bartolo’s house so that he may gain access to the girl. Almaviva is excited and Figaro looks forward to a nice cash pay-off.

Rosina reflects on the voice that has enchanted her and resolves to use her considerable wiles to meet its owner, whom the count leads her to believe is a poor student named Lindoro. Bartolo appears with Rosina’s music master, Don Basilio. Basilio warns Bartolo that Count Almaviva, who has made known his admiration for Rosina, has been seen in Seville. Bartolo decides to marry Rosina immediately. Figaro, who has overheard the plot, warns Rosina and promises to deliver a note from her to Lindoro. Bartolo suspects that Rosina has indeed written a letter, but she outwits him at every turn. Angry at her defiance, Bartolo warns her not to trifle with him.

Almaviva arrives, creating a ruckus in his disguise as a drunken soldier, and secretly passes Rosina his own note. Bartolo is infuriated by the stranger’s behavior and noisily claims that he has an official exemption from billeting soldiers. Figaro announces that a crowd has gathered in the street, curious about the argument they hear coming from inside the house. The civil guard bursts in to arrest Almaviva but when he secretly reveals his true identity to the captain he is instantly released. Everyone except Figaro is amazed by this turn of events.

Act II
Bartolo suspects that the “soldier” was a spy planted by Almaviva. The count returns, this time disguised as Don Alonso, a music teacher and student of Don Basilio. He announces he will give Rosina her music lesson in place of Basilio, who, he says, is ill at home. “Don Alonso” tells Bartolo that he is staying at the same inn as Almaviva and has found a letter from Rosina. He offers to tell her that it was given to him by another woman, seemingly to prove that Lindoro is toying with Rosina on Almaviva’s behalf. This convinces Bartolo that “Don Alonso” is indeed a student of the scheming Basilio, and he allows him to give Rosina her music lesson. She sings an aria, and, with Bartolo dozing off, Almaviva and Rosina express their love.

Figaro arrives to give Bartolo his shave and manages to snatch the key that opens the doors to Rosina’s balcony. Suddenly Basilio shows up looking perfectly healthy. Almaviva, Rosina, and Figaro convince him with a quick bribe that he is sick with scarlet fever and must go home at once. While Bartolo gets his shave, Almaviva plots with Rosina to elope that night. But the doctor overhears them and furiously realizes he has been tricked again. Everyone disperses. Bartolo summons Basilio, telling him to bring a notary so Bartolo can marry Rosina that very night. Bartolo then shows Rosina her letter to Lindoro, as proof that he is in league with Almaviva. Heartbroken and convinced that she has been deceived, she agrees to marry Bartolo. A thunderstorm rages. Figaro and the count climb a ladder to Rosina’s balcony and let themselves in with the key. Rosina appears and confronts Lindoro, who finally reveals his true identity as Almaviva. Basilio shows up with the notary. Bribed and threatened, he agrees to be a witness to the marriage of Rosina and Almaviva. Bartolo arrives with soldiers, but it is too late. Almaviva explains to Bartolo that it is useless to protest and Bartolo accepts that he has been beaten. Figaro, Rosina, and the count celebrate their good fortune.


Capitol Theatre
50 West 200 South
Salt Lake City, UT


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16 April 2013

Viridian Event Center Hosts Live Music Series

Viridian Event Center Hosts
Excellence in the Community Concerts

The swing and big band sounds of Caleb Chapman Music will be featured this Saturday, April 20 at the Viridian Event Center.

The Viridian Event Center and Excellence in the Community are pleased to present the "Excellence in the Community Concerts" series at the Viridian Event Center. These free concerts will feature local, high quality musicians of various styles and genres. To kick things off, the swing and big band sounds of Caleb Chapman Music will be featured this Saturday, April 20 at 7:00 p.m. Bring the family, put on your best zoot suit and come dance, or just enjoy an evening of great, free music.

Music to Amaze
For over a decade, Caleb Chapman has been turning heads with his professional bands made up of unlikely members - young musicians aged 14-18! Almost as shocking as the age of these amazing musicians is the fact that they don't come from one of the nation's music meccas, but rather Salt Lake City, Utah.

Viridian Event Center
8030 South 1825 West
West Jordan UT

Contact: Tyler Curtis, Viridian Event Center Manager, 801-948-7858


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Conrad Tao to Perform with Utah Symphony

Conrad Tao to Perform with Utah Symphony

Conrad Tao to Perform Tchaikovsky Piano Concerto No. 1 with Utah Symphony. Adjusted Program To Include Works By Tchaikovsky and Schoenberg, April 19 and 20 in Abravanel Hall.

Conrad Tao will replace guest pianist Louis Lortie, who had to withdraw due to illness, at this weekend’s Utah Symphony performances. Tao will perform Tchaikovsky’s Piano Concerto No. 1.

The Utah Symphony and Music Director Thierry Fischer will conclude a two week Tchaikovsky celebration, April 19 and 20 at 8 p.m. in Abravanel Hall. Tchaikovsky’s Sleeping Beauty Suite and Capriccio Italien replace Tchaikovsky’s Piano Concerti Nos. 2 and 3 on the first half of the program. The program will also include the originally planned performances of Arnold Schoenberg’s imaginary film score, “Accompaniment to a Cinematographic Scene” and Tchaikovsky’s Piano Concerto No. 1.

Louis Lortie’s management released the following statement regarding his cancellation: “Unfortunately guest soloist Louis Lortie has come down with the flu and with great reluctance must cancel his appearance with the Utah Symphony this weekend.”

Repertoire
Russian composer Pyotr Illyich Tchaikovsky premiered his ballet The Sleeping Beauty in 1890. Based on the familiar folk tale by French writer Charles Perrault, it was the second of his three ballets and has become one of the most recognized and beloved ballet scores in the repertoire. It was a success from the day it premiered and Tchaikovsky thought of it as one of his best works, calling it a “dancing symphony.” The Suite from The Sleeping Beauty includes the well-known Lilac Fairy introduction, the Adagio Pas d’action, Puss-in-Boots and the White Cat, the beautiful Panorama, and the famous Sleeping Beauty waltz.

In 1930 while Arnold Schoenberg was midway through his third and last stint in Berlin, his position at the Akademie der Künste gave him a great deal of control over his teaching life, including a flexible schedule that allowed for an increase in his output as a composer. Many works, large and small, date from this time, including “Accompaniment to a Cinematographic Scene.” The title is misleading since the music is certainly not an “accompaniment” and the “cinematographic scene” it references did not actually exist, and whatever “scene” is implied by the piece is resultant and fully imaginary, not the assumed opposite. Schoenberg built his brief symphonic poem on the conceptual emotions contained in the work’s subtitle, “threatening danger, fear, catastrophe.”

Capriccio Italien was written by Tchaikovsky between January and May 1880. It was inspired by the Italian folk music and street songs he heard during a trip to Rome during the Carnival and even uses an Italian cavalry regiment bugle call he overheard by his hotel room as an introduction.

Tchaikovsky’s Piano Concerto No. 1 is his most popular concerto with its stunning and identifiable theme in the introduction. The concerto originally received disapproval from famous pianist Nicholai Rubenstein who said it was, “clumsy…badly written…. and vulgar.” Despite Rubenstein’s initial distain, the concerto was wildly successful with audiences at its 1875 premiere in Boston and was later embraced by Rubenstein himself.

Pre-concert Chat
Music Director Thierry Fischer, Principal Music Librarian Clovis Lark and special guest Larry Schoenberg, youngest son of composer Arnold Schoenberg, will present a free pre-concert chat each night, one hour prior to the start of the performance on the orchestra level of Abravanel Hall.

Tickets for the performances can be purchased by calling 801-355-2787, in person at the Abravanel hall ticket office (123 W. South Temple) or by visiting www.utahsymphony.org.

Guest Artist
The only classical musician on Forbes' 2011 "30 Under 30" list of people changing the world, 18-year-old Chinese-American pianist Conrad Tao was found playing children's songs on the piano at 18 months of age. Born in Urbana, Illinois, he gave his first piano recital at age 4; four years later, he made his concerto debut performing Mozart's Piano Concerto in A Major, K. 414. In June of 2011, the White House Commission on Presidential Scholars and the Department of Education named Conrad a Presidential Scholar in the Arts, while the National Foundation for Advancement in the Arts awarded him a YoungArts gold medal in music. Later that year, Conrad was named a Gilmore Young Artist, an honor awarded every two years highlighting the most promising American pianists of the new generation. In May of 2012, he was awarded the prestigious Avery Fisher Career Grant.

Sporting a truly international career, Conrad has appeared as soloist in the United States with the Philadelphia Orchestra, the Russian National Orchestra, and the Baltimore, Dallas, Detroit, and San Francisco Symphonies, among others. He has made multiple tours of Europe, giving solo recitals in Paris, London, Munich, Berlin, and Verbier, and performed with orchestras in Brazil, China, Hong Kong, Mexico, Moscow, and Singapore. Highlights of his 2012-2013 season include two more tours of Europe, including a concerto debut at the Concertgebouw in Amsterdam and a third reengagement at the Louvre in Paris, appearances at the Mostly Mozart and Aspen Music Festivals, debuts with the National Arts Centre Orchestra in Canada and a return to Asia with the Hong Kong Philharmonic, and performances of all five Beethoven piano concerti in the United States.

Conrad currently attends the Columbia University/Juilliard School joint degree program and studies piano with Professors Yoheved Kaplinsky and Choong Mo Kang at Juilliard. He studies composition with Professor Christopher Theofanidis of Yale University, and studied violin with Ms. Catherine Cho for five years at Juilliard's Pre-College Division.

Program
       Thierry Fisher, Conductor
       Conrad Tao, Piano
Tchaikovsky
       Sleeping Beauty Suite
Schoenberg
       Accompaniment to a Cinematographic Scene
Tchaikovsky
       Capriccio Italien

Intermission

Tchaikovsky
       Conncerto No. 1 for Piano and Orchestra in B-flat Minor

NOTE: Original program changed due to guest pianist’s illness.


Abravanel Hall
123 W. South Temple
Salt Lake City, Utah


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15 April 2013

HCT To Present "No Time for Sergeants"

Hale Centre Theatre to Present
“No Time for Sergeants”

Laugh-out-loud comedy returns to HCT stage by popular demand.

Hale Centre Theatre (HCT), Utah’s premiere family theatre, will present timeless comedy “No Time for Sergeants” April 23 through May 25.

Back by popular demand, “No Time for Sergeants” is a 1956 Broadway hit by Ira Levin that follows a man as he is drafted into the U.S. Army post World War II.

The Tony Award-winning production that made Andy Griffith a star on Broadway tells the story of Will Stockdale, a country bumpkin from Georgia, and his hilarious attempts to be classified for duty in the military of the early 1950s. Will’s dedicated, accident prone and obnoxiously sincere ways completely unravel the army and ruins his beloved Sergeant's career.

Based on a best-selling novel, “No Time for Sergeants” was also adapted into a Tony Award-winning Broadway play, a 1958 movie, and a 1964 television series.

“No Time for Sergeants is a fresh and funny story that really is timeless,” said Sally Dietlein, vice president and executive producer at HCT. “There are too many laugh-out-loud moments to count.”

HCT’s “No Time for Sergeants” stars Brandon Green and Justin Bruse as Will Stockdale, Bryan Hague and Greg Larsen as Ben Whitledge, and Josh Richardson and Cody Carlson as Sergeant King.

The comedy is directed by Jennifer Parker Hohl and features costume design by Kimberly Fitt; technical direction and scenic design by Kacey Udy; lighting design by Adam Flitton; sound design by Dan Morgan; fight choreography by Brad Schroeder; hair and makeup design by Cindy Johnson; production assistance by Rachel Sanderson; and props by Michelle Jensen.

Performances are Monday through Saturday at 7:30 p.m. with matinées each Saturday at 12:30 p.m. and 4 p.m. Tickets may be purchased online at www.hct.org, via telephone at 801-984-9000 or at the Hale Centre Theatre box office, 3333 South Decker Lake Drive, West Valley City, Utah.

In conjunction with the production, HCT is honoring the American Heart Association as part of its “HCT Applauds” program to spotlight other non-profit organizations making a difference in the community. The American Heart Association works to advance medical research, spread lifesaving knowledge and reach out to people about cardiovascular disease and stroke.

Hale Centre Theatre
3333 South Decker Lake Drive
West Valley City, UT


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12 April 2013

Utah Symphony to Perform Blockbuster Film Scores by Composer John Williams

Utah Symphony to Perform
Blockbuster Film Scores by
Composer John Williams

The Music of John Williams, May 3-4 at 8:00 p.m. in Abravanel Hall.

The Utah Symphony will perform some of the most recognizable and famous music in cinematic history, all scored by composer John Williams, in a night of movie music at Abravanel Hall.

The Music of John Williams, led by Principal Pops Conductor Jerry Steichen, will feature the Utah Symphony performing music from popular American films including “Star Wars,” “Jurassic Park,” “Harry Potter,” “Schindler’s List” and “Jaws” May 3-4, 2013 at 8:00 p.m. in Abravanel Hall. This will be the final concert of the Utah Symphony’s 2012-13 Entertainment Series.

American composer John Williams, nominated for and awarded many Academy Awards and Grammy awards, has written much of the most identifiable music in film history including the main themes for “Harry Potter,” “Star Wars” and “Schindler’s List.” He has written music for multiple movies directed by Steven Spielberg such as “Jaws,” “Jurassic Park,” “Raiders of the Lost Ark” and “E.T.” Williams also wrote the theme songs for four different Olympic Games, including the official theme for Utah’s own Winter Olympics in 2002. This Utah Symphony performance will feature many of the composer’s most recognizable and popular works.

Tickets for the performances can be purchased by calling 801-355-2787, in person at the Abravanel hall ticket office (located at123 W. South Temple) or by visiting www.utahsymphony.org.

Program
John Williams
       Star Wars Medley
       Sayuri's Theme from Memoirs of a Geisha
       The Shark Theme from Jaws
       Highlights from Jurassic Park
       Suite from Far and Away
       Olympic Fanfare and Theme (1984 Los Angeles Olympics)
       Raiders March from Raiders of the Lost Ark

Intermission

John Williams
       Overture from The Cowboys
       “Joy Ride” from Catch Me If You Can
       “The Mission Theme” from NBC News
       Theme from Schindler's List
       "Adventures On Earth" from E.T.
       Suite From JFK
       Harry Potter Symphonic Suite

Abravanel Hall
123 W. South Temple
Salt Lake City, Utah


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Ririe-Woodbury Performs in 25th Annual Madeleine Festival

Ririe-Woodbury Performs in
25th Annual Madeleine Festival

Ririe-Woodbury is delighted to be part of the 25th Anniversary of the Madeleine Festival of the Arts and Humanities, Sunday, April 14 at 8pm at the Cathedral of the Madeleine. This free performance features excerpts from four exceptional works by Charlotte Boye-Christensen and one hundred thousand by Johannes Wieland from Ririe-Woodbury's upcoming show, ONE.

Learn more about the Madeleine Festival

The Cathedral of the Madeleine
331 E. South Temple
Salt Lake City, UT
(801) 328-8941


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Red Butte Garden Announces 2013 Outdoor Concert Series

Red Butte Garden 2013
Outdoor Concert Series

Red Butte Garden is pleased to announce the 2013 Outdoor Concert Series.

This summer the eclectic 28-show lineup reflects RedButte Garden's commitment to bring high-quality and diversely talented artists to the beautiful 3000-seat Red Butte Garden Amphitheatre.

Tickets can be purchased by phone - 801-585-0556
       (Box Office opens at 9:00am daily)
In-Person at the Visitor Center Box Office
       300 Wakara Way, Salt Lake City

28-SHOW LINEUP
Tuesday, May 21
       Vampire Weekend

Thursday, May 30
       Edward Sharpe & The Magnetic Zeros

Sunday, June 9
       Trombone Shorty & Orleans Avenue
       Big Head Todd and the Monsters

Sunday, June 16
       Grace Potter and the Nocturnals

Wednesday, June 19
       Jackson Browne
            with Sara Watkins

Thursday, June 20
       Tony Bennett

Monday, June 24
       Tedeschi Trucks Band

Tuesday, June 25
       She & Him
            with Tilly and the Wall

Friday, July 5
       Old Crow Medicine Show

Tuesday, July 9
       Pink Martini

Friday, July 12
       Rodrigo y Gabriela

Sunday, July 14
       Brandi Carlile
            with The Lone Bellow

Monday, July 15
       David Byrne & St. Vincent

Wednesday, July 17
       Garrison Keillor's A Prairie Home Companion
       Radio Romance Tour 2013 with Aoife O'Donovan

Tuesday, July 23
       Kenny Loggins
            with Blue Sky Riders
           (Kenny Loggins, Georgia Middleman, Gary Burr)

Thursday, July 25
       Dwight Yoakam

Tuesday, July 30
       Merle Haggard

Sunday, August 4
       Medeski Martin & Wood
       John Scofield's Uberjam Band

Wednesday, August 7
       Steve Miller Band

Saturday, August 10
       Steely Dan

Wednesday, August 14
       John Butler Trio

Sunday, August 18
       Michael Franti & Spearhead

Tuesday, August 20
       John Prine

Tuesday, August 27
       George Thorogood and the Destroyers
       Buddy Guy

Thursday, August 29
       Wayne Shorter 80th Birthday Celebration
            Wayne Shorter Quartet
            Joe Lovano and Dave Douglas Quintet
            ACS: Geri Allen, Terri Lyne Carrington, Esperanza Spalding

Sunday, September 15
       The Black Crowes

Monday, September 16
       Neko Case

Tuesday, September 17
       Earth, Wind & Fire


Red Butte Garden
300 Wakara Way
Salt Lake City, UT


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11 April 2013

Ririe-Woodbury Dance Company Presents ONE

Ririe-Woodbury Dance Company Presents
Final Charlotte Boye-Christensen Show

Premier and Restaged Works Highlight Final Charlotte Boye-Christensen Show.

Ririe-Woodbury Dance Company presents, ONE, April 25-27 at the Rose Wagner Performing Arts Center. ONE is not only the final performance of the 49th season of Ririe-Woodbury, but also that of Artistic Director Charlotte Boye-Christensen, who departs the Company after 11 spectacular seasons.

The performance includes the world premiere of one hundred thousand by German choreographer Johannes Wieland. The work explores the idea of trying to escape the power of icons and heroes and questions the existence of antiheroes. Wieland is choreographer in residence at the Tanztheater at the State Theater of Kassel, Germany, and heads his own company, johannes wieland.

Also restaged is the powerful If My Right Hand Would Say What My Left Hand Thought (2005), by Mexican choreographer Alicia Sanchez, based on the writing of Paul Auster. It explores how chance encounters with others can send a person's life in unexpected new directions. Sanchez runs her own company, Teatro de Moviemento in Mexico City, and was the recipient of The National Dance Award-91.

Rounding out the performance is Charlotte Boye-Christensen’s stunning, Bridge, (2005) about the division created between men and women, and the physical entanglements that ensue.

Charlotte Boye-Christensen, a Copenhagen native, has choreographed nearly three works a year in her time with Ririe-Woodbury and the Company is very appreciative of the hard work she has done. During her tenure, she has been involved in several exceptional collaborations, including The Figura music Ensemble from Copenhagen, Denmark, local artist Trent Call, Danish composer Jens Horsving, 4 Mexican artists (who were all former gang members for the work "Lost"), University of Utah professor Eric Handman (with whom she did "Rite of Spring"), and two collaborations with Nationally renowned writer David Kranes and Canadian architect Nathan Webster, the second featuring actor Ethan Phillips. Boye-Christensen has been responsible for bringing many outstanding and notable choreographers to create and restage their works in Salt Lake City.

“I have loved the creative work that I have done with the company over this last decade,” says Boye-Christensen. “It has been an inspiring and thought-provoking journey. I want to thank in particular the Ririe-Woodbury Dancers, the staff, Shirley Ririe and Joan Woodbury, my collaborators and the community for 10 amazing years of contemporary dance in Salt Lake City.”

Ririe-Woodbury is currently conducting an international search for a new Artistic Director.

ONE
April 25-27, 2013 at 7:30 pm

Rose Wagner Performing Arts Center
138 West Broadway
Salt Lake City, UT

Tickets available at arttix.org, 801-355-ARTS, or any ArtTix Box Office.


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